Salone del Mobile 2017: New Classic Interiors by Angelo Cappellini – The Salone Internazionale del Mobile di Milano was launched in 1961, with the original focus being Italian furniture and has been growing in size over the years, allowing many of the 13,000 companies which comprised the global furniture industry to showcase their wares in a single event. In summary, Salone del Mobile is the largest design trade fair of its kind in the world. This Milan Furniture Fair showcases the latest in furniture and design from contries around the entire world. A few weeks from the 56th edition of Salone del Mobile 2017 to start, it’s time to preview what will be possible to visit during the Milan design show. Today, all the lights turn to Nuance, New Classic Interiors by Angelo Cappellini.
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Angelo Cappellini presents Nuance – New Classic Interiors
Milano, 4-9 April 2017
Hall 2 Booth D23-D27
Traditional craftsmanship, artisanal quality, tailored solutions: these are the keywords of the new collections by Angelo Cappellini, unveiled in a sneak preview just a few weeks before the Salone del Mobile 2017.
The greatest furniture fair in Milano is an unmissable appointment for the Como-based company which is ready to impress its audience with outstanding furnishing novelties, thanks to unusual combinations of materials, glamorous finishes and exquisite fabrics, whose color palettes – fresh and bright as the ones selected for the Degas chairs – confer great personality to the whole setting.
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Nuance is the name of the new project by Angelo Cappellini, conceived to actualize the Classic European furniture with originality and unique charm. Together with the refined collections of the other flagship brand Opera Contemporary, the Italian company offers interior solutions specifically studied to satisfy the requirements of its sophisticated clientele. A unique play of reciprocal influences able to foster unprecedented connections between classical styles and elegant contemporary taste. For New Classic Interiors, both private and contract.
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